Conversation Pieces is an exhibition that brings together projects by artists who stage, subvert, provoke, intervene in or document public dialogues. These projects have multiple, often interrelated objectives: claiming public space, time and attention to start specific conversations around specific issues; questioning the current states, definitions, and limits of dialogue in the public realm; and presenting alternative possibilities for or re-imaginings of the public through various models of participation in (variously public) dialogues. 2 performances in conjunction with Conversation Pieces
Alexis Bhagat: Lecture on Democracy Stephanie Rothenberg: Best Practices in Banana Time with Doctor Rodenberger Saturday, November 21, 2009 Free and open to the public. + More Information +
| CONVERSATION PIECES PROJECT CAPSULES
| | | | Carlos Motta - The Good Life
The Good Life is a 13-part video installation composed of over 400 video interviews with pedestrians on the streets of twelve cities in Latin America shot between 2005 and 2008. The work examines processes of democratization as they relate to U.S. interventionist policies in the region. The conversations and dialogues, recorded in Bogotá, Buenos Aires, Caracas, Guatemala, La Paz, Managua, México City, Panamá, Santiago, San Salvador, São Paulo, and Tegucigalpa, cover topics such as individuals' perceptions of U.S. foreign policy, democracy, leadership, and governance. www.carlosmotta.com
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| | | | Alexis Bhagat - Lecture on Democracy
Alexis Bhagat will compose Lecture on Democracy, a new 3-channel audio work for Conversation Pieces, to be performed live in November.. Bhagat's lectures are multi-channel audio collages delivered in the context of a conventional lecture. To produce the Lecture on Democracy for CEPA, Bhagat will record a conversation with a group of Buffalo residents in September on the contemporary use and meaning of words such as "freedom" and "democracy." Passages and loops from that conversation will comprise one channel of the lecture, the forum, which sits in opposition to an overhead loudspeaker, the voice of authority. Navigating this opposition, the artist will read a text on the history of the word "democracy," on a subtle third channel, transmitted via radio, which audience members may tune into (or not) as they wish. www.nadalex.net/projects.html | | | | |
| | | | Sharon Hayes - Everything Else Has Failed, Don't You Think It's Time for Love?
In a series of performances (and audio/photo/video installations derived from those performances) stretching from 2005's In the Near Future to 2008's Revolutionary Love, Sharon Hayes has staged a set of anachronistic, speculative, deliberately and sometimes joyously off-kilter investigations into the figure of the protester. These actions have ranged from lone protests with signs from bygone eras to the public reading of love letters in political arenas. For Conversation Pieces, Hayes will present the 2005 project Everything Else Has Failed, Don't You Think It's Time for Love?, five recordings of public speeches performed by Hayes in midtown New York on five successive days. The public speeches, whose presentation on large tripod-mounted speakers reinforces their ‘authoritative' position, have very private texts; each is, in fact, the reading of a love letter to an audience of strangers in a public space, a deliberate collapsing of public and private that is itself a political act. www.shaze.info
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| Speaker Series
Monday Evenings @ 6:30 CFA 112 [MAP]
Oct 19 Ricardo Miranda Zuniga approaches art as a social practice that establishes dialogue in public spaces. Themes such as immigration, discrimination, gentrification and the effects of globalization extend from highly subjective experiences and observations into works that tactfully engage others through populist metaphors while maintaining critical perspectives. Ricardo’s work has been exhibited nationally and internationally at venues such as Madison Museum of Contemporary Art; Laboratorio Arte Alameda, Mexico City; The National Center for Contemporary Art, St. Petersburg; The New Museum of Contemporary Art, NYC. He is an Associate Professor of Film and Media Studies at CUNY Hunter. www.ambriente.com Oct 26 Claire Tancons is a curator, writer and scholar based in New Orleans whose work focuses on Carnival and processions. As a curator for the 7th Gwangju Biennale, South Korea (2008), she organized SPRING, a procession inspired by political demonstrations and carnival processions, hailed as one of the biennial’s highlights. As a guest curator for, the 2nd Cape Town Biennial, South Africa, Tancons organized A Walk Into the Night procession inspired by the processional and musical traditions of the Cape Town carnival against the background of the forced removals of the 1960’s. Tancons was the Associate Curator for Prospect 1 New Orleans. Nov 23 Trevor Paglen is an artist, writer, and experimental geographer. His work involves a deliberate blurring of the lines between social science, contemporary art and even more obscure disciplines to construct unfamiliar, yet meticulously researched ways to interpret the world around us. Paglen's visual work has been exhibited at Transmediale.08 Festival, Berlin; Institute of Contemporary Art, Philadelphia; Kunstraum Muenchen, Munich; the San Francisco Museum of Modern Art; and numerous other venues. Paglen is the author of three books. Torture Taxi: On the Trail of the CIA’s Rendition Flights; I Could Tell You But Then You Would Have to be Destroyed by Me and Blank Spots on a Map. www.paglen.com | |